File Formats
This page details the specifications for the files Capturly produces.
Output Files Overview
A desktop recording session produces two files: a high-quality WAV master for editing, and an MP4 that contains the video with synced audio for preview and simple edits.
| File | Extension | Content | Purpose |
|---|---|---|---|
| Audio master | .wav | Audio only | Primary editing file |
| Video | .mp4 | Video + audio | Preview, simple edits, multi-track video |
Recording in the browser produces a single .mp4 (video + audio); the separate
WAV master is a desktop feature. See Recording in your browser.
Audio Master (*_audio.wav)
Your primary audio file for podcast editing and production, written alongside the video on desktop.
Specifications
| Property | Starter | Pro / Team / Lifetime |
|---|---|---|
| Format | WAV (RIFF) | WAV (RIFF) |
| Sample Rate | 48,000 Hz | 96,000 Hz |
| Bit Depth | 16-bit | 24-bit |
| Channels | Follows the device | Follows the device |
| Compression | None (PCM) | None (PCM) |
Capturly doesn’t force a channel count — the WAV carries however many channels your microphone or interface presents. Most USB podcast microphones are mono; most audio interfaces present stereo. Size estimates below assume mono; double them for stereo.
On Windows, the 96 kHz / 24-bit WAV master is produced by a dedicated audio process alongside the video; the browser produces no WAV at all.
Why WAV?
WAV (Waveform Audio File Format) is chosen because:
- Uncompressed: No quality loss from compression
- Universal: Works in all audio software
- Archival quality: Preserves original recording fidelity
- Industry standard: Professional workflows expect WAV
Sample Rate Explained
| Rate | Quality | Use Case |
|---|---|---|
| 48 kHz | Professional standard | Adequate for most podcasts |
| 96 kHz | Studio quality | Maximum detail, larger files |
Higher sample rates capture more audio detail and provide more flexibility in post-production (pitch shifting, time stretching) without artifacts.
Bit Depth Explained
| Depth | Dynamic Range | Use Case |
|---|---|---|
| 16-bit | 96 dB | Standard quality |
| 24-bit | 144 dB | Professional quality |
Higher bit depth means greater dynamic range, capturing both quiet and loud sounds with more precision.
File Size Estimates
| Sample Rate | Bit Depth | Size per Minute | Size per Hour |
|---|---|---|---|
| 48 kHz | 16-bit mono | ~5.8 MB | ~345 MB |
| 96 kHz | 24-bit mono | ~17 MB | ~1 GB |
Video (*_video.mp4)
A single MP4 with H.264 video and synced AAC audio. It plays anywhere, drops straight into any editor, and doubles as a self-contained backup — while the separate WAV master preserves full audio fidelity for detailed editing.
Specifications
| Property | Starter | Pro / Team / Lifetime |
|---|---|---|
| Container | MP4 | MP4 |
| Video Codec | H.264 (AVC) | H.264 (AVC) |
| Audio Codec | AAC | AAC |
| Audio Sample Rate | 48 kHz | 48 kHz |
| Max Resolution | 1920×1080 | 3840×2160 |
| Frame Rate | 30 fps default, 60 fps where supported | 30 fps default, 60 fps where supported |
| Profile | High | High |
| Watermark | Yes | No |
The AAC audio in the MP4 is a compressed convenience track. For the highest
audio quality, edit from the separate *_audio.wav master.
Hardware Acceleration
Video encoding uses hardware acceleration when available:
| Platform | Technology | GPU |
|---|---|---|
| macOS | VideoToolbox | Apple Silicon / Intel |
| Windows | NVENC | NVIDIA GPUs |
| Windows | QuickSync | Intel CPUs |
| Windows | AMF | AMD GPUs |
| Fallback | libx264 | CPU only |
H.264 Codec Details
| Setting | Value |
|---|---|
| Profile | High |
| Pixel Format | yuv420p |
| GOP | Variable |
| B-frames | Enabled |
The AVC level is sized to the resolution and frame rate:
| Resolution | @30 fps | @60 fps |
|---|---|---|
| 4K (2160p) | 5.1 | 5.2 |
| 1440p | 5.1 | 5.1 |
| 1080p | 4.0 | 4.2 |
| 720p | 3.1 | 3.2 |
Bitrate ladder and file sizes
Target bitrates by resolution. Sizes assume 30 fps and vary with content complexity (motion, detail).
| Resolution | Bitrate @30 fps | Bitrate @60 fps | Size per Minute | Size per Hour |
|---|---|---|---|---|
| 720p | 5 Mbps | 7.5 Mbps | ~38 MB | ~2.3 GB |
| 1080p | 8 Mbps | 12 Mbps | ~60 MB | ~3.6 GB |
| 1440p | 16 Mbps | 24 Mbps | ~120 MB | ~7.2 GB |
| 4K | 40 Mbps | 60 Mbps | ~300 MB | ~18 GB |
A camera that can’t sustain the target negotiates down rather than failing — constraints are requested as ideal, not exact.
File Naming Convention
All files follow this naming pattern:
[SessionID]_[DisplayName]_[Date]_[Time]_[Type].[ext]Components
| Component | Format | Example |
|---|---|---|
| SessionID | 6 alphanumeric characters | A7B3C9 |
| DisplayName | User-entered name | John |
| Date | YYYY-MM-DD | 2026-01-21 |
| Time | HHMMSS (24-hour) | 143022 |
| Type | audio, video | audio |
| Extension | wav, mp4 | wav |
Example Filenames
A7B3C9_John_2026-01-21_143022_audio.wav
A7B3C9_John_2026-01-21_143022_video.mp4Directory Structure
Recordings are organized by date:
[Save Location]/
└── [YYYY-MM-DD]/
└── [SessionID]_[Name]_[Date]_[Time]_audio.wav
└── [SessionID]_[Name]_[Date]_[Time]_video.mp4Example
Documents/Podcasts/
├── 2026-01-20/
│ └── B2C4D6_John_2026-01-20_100015_audio.wav
│ └── B2C4D6_John_2026-01-20_100015_video.mp4
└── 2026-01-21/
└── A7B3C9_John_2026-01-21_143022_audio.wav
└── A7B3C9_John_2026-01-21_143022_video.mp4Sync beep
The head of the audio carries a 1000 Hz tone lasting 0.5 seconds, mixed with your microphone input rather than replacing it. It’s the alignment reference for post-production.
Which files carry it:
| Where you recorded | *_audio.wav | *_video.mp4 |
|---|---|---|
| macOS desktop | ✓ | ✓ |
| Windows desktop | ✓ | — |
| iOS / Android | ✓ | — |
| Browser | no WAV | — |
See Sync Beep for how to use it.
Compatibility
Audio Files (.wav)
Compatible with virtually all audio software:
- Adobe Audition
- Audacity
- GarageBand
- Logic Pro
- Reaper
- Pro Tools
- Descript
- Any media player
Video Files (.mp4)
Compatible with:
- Adobe Premiere Pro
- Final Cut Pro
- DaVinci Resolve
- iMovie
- Descript
- VLC
- Any modern video player
Storage Recommendations
Minimum Free Space
Roughly double the expected output, so a long take never runs the disk down.
| Recording Type | Recommended Free Space |
|---|---|
| Audio only (1 hour) | 2 GB |
| Video 1080p (1 hour) | 10 GB |
| Video 1440p (1 hour) | 20 GB |
| Video 4K (1 hour) | 40 GB |
Pre-flight sizes its disk check to the resolution you’re about to record, so a 4K take is refused on a disk that would have accepted 1080p.
Backup Strategy
- During recording: Save to reliable storage (SSD preferred)
- After recording: Copy to backup location
- Archive: Keep raw files until project is complete
- Long-term: Archive final exports separately from raw files
Next Steps
- Review system requirements
- Learn keyboard shortcuts
- See post-production guide for editing